Nothing old under the sun: Gianni Leone on Luigi Ghirri's 'Puglia
Di uno scrittore di uomini misteriosi
Descrizione
Gianni Leone: I had been taking photographs for around a year and perhaps that’s why it seemed very clear to me that Ghirri’s work explored new realms. These were far removed from the photography, especially Italian photography, that up until the 1970s had continued to produce repetitive and stereotyped depictions of the country: from Alinari — an Italy of pretty postcards — to Neorealism, portraying Southern Italy at the height of its decay and poverty from the post-war years to the 1970s and ’80s, with an undeniably scientific basis to its ethnographic aspects. Strange and contradictory although it may seem, the country remained distant and unrecognisable outside an ideologically conditioned culture and view. Ghirri clarified this with greater lucidity and awareness when he spoke, if I remember rightly, of a metropolitan aesthetic that conditions us. Rosalba Branà: What was the
Gianni Leone: I had been taking photographs for around a year and perhaps that’s why it seemed very clear to me that Ghirri’s work explored
Gianni Leone: I had been taking photographs for around a year and perhaps that’s why it seemed very clear to me that Ghirri’s work explored
Mostra Internazionale di Architettura La Biennale di Venezia 1980 - 2021 by La Biennale di Venezia - Issuu
Blog – MACK
Issue Archives, Page 3 of 16
Issue Archives, Page 3 of 16
Issue Archives, Page 3 of 16
Puglia. Tra albe e tramonti offers a brilliant account of Luigi Ghirri’s relationship with Puglia — a distinctive region at the heel of Italy, which
Luigi Ghirri - Puglia. Tra albe e tramonti
Luigi Ghirri Puglia. Tra Albe e Tramonti
Italian Political Cinema Public Life, Imaginary, and Identity in Contemporary Italian Film by Giancarlo Lombardi (Editor), Christian Uva (Editor), PDF, Italy
Blog – MACK
MACK Archives
Blog – MACK
da
per adulto (il prezzo varia in base alle dimensioni del gruppo)
